Showing posts with label barbara shoup review. Show all posts
Showing posts with label barbara shoup review. Show all posts

Thursday, January 22, 2009

Double-Click for Trouble by Chris Woodworth

Double-Click for Trouble by Chris Woodworth

Review by Barbara Shoup


Thirteen-year-old Eddie McCall lives in a cramped Chicago apartment with his mom, who works at a hotel coffee bar and spends her evenings taking college courses online—but, nonetheless, manages to keep a tight rein on him. Eddie doesn’t know his dad is, and his mom won’t talk to him about it. He envies his best friend, Whip, who lives with his dad. But his mom disapproves of the relationship because, in her view, Whip’s dad is too permissive and doesn’t monitor his activities enough. So when she discovers that Whip and Eddie have logged on to her computer and looked at a porn site, Eddie suddenly finds himself on his way to summer break with his eccentric, bachelor Great-Uncle Peavy in Sheldon, Indiana.

Peavy’s made occasional visits to Chicago over the years, and he’s always been generous to Eddie and his mom; but Eddie doesn’t really know him. He’s shocked to find that Peavy lives in the decrepit little house he grew up in, a house so poorly furnished that Eddie observes, “Aunt Bea has newer stuff on the reruns of “The Andy Griffith Show.” He chews tobacco, which grosses Eddie out; he doesn’t wash the dishes, just rinses them and puts them back on the shelf; he lays newspapers down on the kitchen floor so he doesn’t have to clean it. Peavy sleeps in the bunk bed he slept in as a child, and when he assigns his dead parent’s bedroom to Eddie, it never occurs to him that Eddie might just be a little freaked out about sleeping there. Not to mention mortified when he assumes Eddie will be helping out with the tractor repair business he runs out of the barn and his helper, Ronnie—a girl—makes fun of Eddie because he doesn’t even know what a lug nut is.

Thank heavens for Ordella Mae, a woman about Peavy’s age, who appears regularly with leftovers from the meals she cooks at the nursing home where she works—and eventually gets him at least a little up to speed in terms of how to take care of a growing boy. Also, Eddie’s instant crush on Erin, the beautiful sixteen-year old clerk at the nearby convenience store (and Ronnie’s sister), helps make his time in Sheldon more bearable.

Chris Woodworth remembers what it’s like to be thirteen, curious but still clueless about sexuality. She knows that everyone’s life is complex and mysterious, regardless of his or her age. She knows about longing. And, dang! She’s a mean plotter! Double-Click for Trouble is beautifully constructed. New threads of plot are deftly introduced, developed and resolved. The twist at the end creates the wonderful blend of surprise and inevitability that readers experience in every really good novel.

Woodworth loves her characters and the small town they live in—but it’s a complicated love, one that reflects her deep understanding about the human condition and an appreciation of its many paradoxes. Over the course of Double-Click for Trouble, Eddie McCall takes his first real steps toward manhood by way of his relationship with his great-uncle, his friendship with Ronnie, and a series of events that makes him understand his mother’s occasionally overzealous efforts to protect him. Woodworth tells Eddie’s story honestly, with respect for the intelligence of her young readers. My guess is that “tweens” will love this book—and I’d highly recommend it to their parents, as well. Reading it, they’ll be thirteen again themselves for a while—which is guaranteed to bring insight to the needs of their own budding teens.

More info:
  • Hardcover: 176 pages
  • Publisher: Farrar, Straus and Giroux (BYR) (May 27, 2008)
  • Language: English
  • ISBN-10: 0374309876
  • ISBN-13: 978-0374309879


Friday, January 16, 2009

Shadows in the Twilight by Henning Mankell


Shadows in the Twilight by Henning Mankell
Review by Barbara Shoup

“I have another story to tell.

The story of what happened next, when the summer was over. When the mosquitoes had stopped singing and the nights turned cold. Autumn set in, and Joel Gustafson had other things to think about. He hardly ever went to his rock by the river, to gaze up at the sky. It was as if the dog that headed for its star no longer existed. Or perhaps it had never existed? Had it all been a dream? Joel didn’t know. But in the end he decided it was all to do with the fact that he’d soon be twelve. After his twelfth birthday he’d be too big to sit on a rock and dream about a strange dog that might never have existed in the real world.”

So begins Henning Mankell’s, Shadows in the Twilight .

My curiosity was piqued. What was the first story, I wondered? What dog? What rock? Were they a dream or were they real?

I never found out—which did not make me a happy reader.

The book is “a companion” to Mankell’s earlier Bridge to the Stars, which I presume tells the story of the dog and the rock. The problem is, sequel or not, a book must be able to stand on its own. Shadows in the Twilight might have. It has an interesting premise.

Almost-twelve-year-old Joel steps out into the street without looking one day and narrowly escapes death when he ends up sliding underneath an oncoming truck as it skids to avoid hitting him, instead of being crushed beneath its wheels. “It’s a miracle,” everyone says. And Joel gets it in his mind that he must “pay” for the miracle by doing a good deed.

He settles upon finding a man for his friend, Gertrud, a whimsical, lonely “child-woman” who has no nose because of a botched operation. The decision—and the identification of two prospects—results in a series of adventures that introduce the reader to many of the people who live in Joel’s small Swedish village. Like Mad Simon, who lives in a run-down house in the forest; the Barefooted Man, chief engineer of the world beneath the village, and Kringstrom, the leader of the town orchestra. Doing a good deed turns out to be a good deal more complicated than Joel imagined, with mostly unhappy results.

Between these escalating adventures, Joel lives with his father Samuel, a quiet man trying to put their lives back together after the disappearance of Jenny—his wife and Joel’s mother. He goes to school where he’s bullied by his nemesis Otto and lives in fear of his teacher his dour teacher, Miss Nederstrom, who’s quick to twist his ear for the smallest infraction.

Told simply, one event merging nicely into the next, the story has the quality of a fable. Mankell’s writing is clear, and his deft descriptions bring both the characters and the town vividly to the page. But, for me, the threads of plot he set in motion were not adequately resolved. And I have to say I really have no idea why Shadows in the Twilight is being marketed as a young adult novel. Though Joel ponders growing up throughout the book, he’s still much more a child than an adolescent.

More Info:
  • Reading level: Young Adult
  • Hardcover: 208 pages
  • Publisher: Delacorte Books for Young Readers (July 8, 2008)
  • Language: English
  • ISBN-10: 0385734964
  • ISBN-13: 978-0385734967
  • Source: Review copy from publisher



Tuesday, October 7, 2008

M+O 4EVR by Tonya Hegamin

Today, I'm excited to present Barbara Shoup's first review at The Well-Read Child!



M+O 4EVR by Tonya Hegamin

Known as “M” and “O” to their families, Opal and Marianne have been best friends as long as they can remember. Their mothers are not the most reliable in the world; Opal’s dad is a long-haul trucker, and Marianne’s dad disappeared before she was born. Opal’s Gran has been the glue in their lives, taking Marianne in when she was a little girl and raising the two girls together. By the time they reach their senior year in high school, Opal is a serious student with college scholarships within her reach; Marianne is on the road to trouble, unhappy and reckless in her yearning to be popular.

This recklessness is depicted beautifully by Hegamin in the first chapter of the book, when Marianne appears drunk, her homecoming queen crown askew, and lures Opal away from her responsibilities to take a wild ride out into the country, where an encounter with a group of football players quickly turns ugly. It’s the last time Opal sees her friend.

Narrated by Opal, M+O 4EVR covers just a few days, but Hegamin so deftly weaves in memories of the girls’ complicated lives that at the end the reader fully understands what Opal has lost. My only quibble with the book is the undeveloped suggestion that Opal feels more than friendship for Marianne, which in my view confuses the story of their rich friendship.

The truth is, there aren’t enough good books about friendship, and M+O 4EVR’s insightful look at how childhood friendships evolve as young people enter their teen years was more than enough for me. Any girl who’s been left behind by a best friend will sympathize with Opal and learn something about how to move forward with her life.


More info:
  • Age Range: Young Adult
  • Hardcover: 176 pages
  • Publisher: Houghton Mifflin; 1 edition (April 29, 2008)
  • Language: English
  • ISBN-10: 0618495703
  • ISBN-13: 978-0618495702
  • Source: Review copy from publisher